The Final Destination Trailer in Anaglyph 3D

This is the official trailer of The Final Destination 4, encoded in anaglyph 3D!!! grab a pair of 3D glasses (Red-Cyan) and enjoy!!!

2009 3D Movies in 3D Anaglyph

2009 3D Movies in 3D Anaglyph -
you need red/cyan glasses to see this video

This video shows a partial list of the 2009 3D Movies. The following 2009 3D Movies are listed in this video - then below is a complete list of 2009 3D Movies.

James Cameron's Avatar
Coraline
Disney's G-Force
Ice Age 3: Dawn of the Dinosaurs from 20th Century Fox
Monsters vs. Aliens by DreamWorks Animation
Planet 51
Harry Potter and the Half-Blood Prince
The Adventures of Tintin: Secret of the Unicorn, directed by Steven Spielberg
Toy Story 3 by Pixar Animation Studios
Disney Pixar's Up
My Bloody Valentine 3D


2009 3D Movies

Deep Sea-quel (2009)
The Adventures of Tintin: Secret of the Unicorn (2009)
Crood Awakening (2009)
Night of the Living Dead (2009)
Untitled Dustin Voigt Project (Formally Godspeed) (2009)
The Magic Tale (2009)
The Dark Country (2009)
Horrorween 3D (2009)
Dawn of the Dead - converted to 3D (2009)
Around The World in 50 Years (2009)
1.8 Days (2009)
The Princess and the Frog (2009)
Frankenweenie (2009)
AVATAR (2009)
Planet 51 (2009)
Disney’s A Christmas Carol (2009)
Toy Story in 3D (2009)
Cloudy with a Chance of Meatballs (2009)
Final Destination 4: Death Trip 3D (aka: Final Destination 4) (2009)
G-Force (2009)
Harry Potter and the Half Blood Prince (2009)
Ice Age 3: Dawn of the Dinosaurs (2009)
Up (2009)
Battle for Terra (pre-release title: Terra) (2009)
Monsters vs Aliens (2009)
Bob the Builder in 4D (2009)
Jonas Brothers - The 3D Concert Experience (2009)
Under the Sea 3D (production title: Deep Sea-quel 3D) (2009)
Coraline (2009)
My Bloody Valentine 3D (2009)
Toyko Mater (2008)

A Christmas Carol 3D

It was fantastic the visual effects were amazing when your seated with your 3D glasses on.
Its based on a book by Charles Dickens which was written around the mid 1800's.
The story goes that Ebenezer Scrooges business partner Jacob Marley is dead. One Christmas eve night Marley visits Scrooge to warn him of his chains he'll be carrying when he passes away and tells him he'll be visited by 3 ghosts. The ghost of Christmas past, the ghost of Christmas present and the ghost of Christmas yet to come the same night Marley visited. Scrooge is a horrible mean old man who cares for no one but him self. Even his nephew tries to convince him to chance his ways with no luck. He also treats his poor assistant Bob Cratchit and family like a piece of dirt. He soon changes his error of his ways after being visited and buys the biggest turkey in the butchers gives Bob Cratchit a payrise and make sure his family and tiny Tim are looked after. This ends with a great ending.

Coraline 3d - Bluray & DVD

Henry Selick's "Coraline" is a smart adaptation of Neil Gaiman's extremely popular award-winning novella. Selick's screenplay is excellent and faithful without being a carbon-copy of Gaiman's story, and Selick adds some of his own dialogue to the film, so his contribution is most certainly not only visual, and chooses which dialogue to use from the novel wisely. Less of a horror story than the novella and more of a dark fantasy, "Coraline" features a well-written and well-drawn lead character and brings the novel's bizarre world to life without compromise. The film's fantasy world grows more bizarre each time we see it, and is as discomforting as it is fun. I missed the singing rats from the novella, but this was more than compensated for by the visual splendor of the garden scene, and there are numerous other examples of the changes from the novel making total sense as Selick's vision of the story differs from Gaiman, but doesn't betray the original work of art, only compliments it. The voice cast is very good and one cannot praise the spectacular animation enough. I was very pleased with the 3D presentation here, it was very, very rarely (only once or twice) used as a 'cool effect', and overall was very tastefully used to give the visuals more depth. Perhaps the first really good film to have a wide release in 2009, and looking at the next few weeks I see more than one film I'm moderately interested in, so this might end up being a pretty good year.

Jonas Brothers: The 3D Concert Experience

Jonas Brothers 3D (2009) available on 3D Blu-Ray and 2D DVD.

Nosferatu becomes Orlok the Vampire in 3D!

wear 3d glasses red/cyan


Chris Heuer
Stevensville Maryland

©2009 Chris Heuer and CreativeCOW.net. All rights reserved.

Article Focus: "Nosferatu," the first vampire movie, and some say still the best, rises again in 3D! In this "Creative COW Magazine Extra," Chris Heuer used desktop tools including AE and Mocha to breathe new life into this classic of world cinema.


When asked what it would take to turn the movie Nosferatu into an anaglyph 3D movie, I thought for a moment and then replied “Seventy thousand dollars, a team of 10 to 15 visual effects artists and 3 months.”

Curious, I then asked “What do we actually have to work with?”. Keith Carter, the Director of the project (and a good personal friend) replied “A very small budget... and YOU.”

Now to fill in some details. The reason I was able to quote a price so quickly (which I would now consider way under budget) is because this story begins about a year earlier.

Carol Bidault de L'isle of Media Fusion in Washington, DC had acquired a library of recent independent films. Carol and Media Fusion help independent filmmakers that cannot find access to the marketplace. “Sometimes it is just a matter of repackaging these films, sometimes it’s re-editing that can make the difference," she says.

Among these new titles was an odd copy of "Nosferatu," by F.W. Murnau. "Nosferatu" was the first film to be made (although without permission) based on Bram Stoker's "Dracula," and has developed a massive cult following since its release way back in 1922.

In the end, the film is a wild ride with lots of new features, including an introduction by Troma Entertainment’s Lloyd Kaufman (“Toxic Avenger,” “Class of Nuke ‘Em High”). The DVD version will also have a popup trivia version, a Director and Producer commentary version, the “Making Of,” two pairs of 3D glasses – and for the die-hard fans, a special edition with a comic book prequel and an action figure, complete with a miniature rat!

MY BLOODY VALENTINE 3D DVD & 3D Blu Ray

Out Now!! 3D DVD & 3D Blu Ray with anaglyph magenta/green glasses

Elvis 3D DVD

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‘Elvis in 3D’ is made as a documentary about Elvis’ life, told through the eyes of the people who are close with him. Nine of Elvis’ classic TV performances got a ‘3D restoration’. Using the unique and exclusive 3D technique (Dynamic Motion System) each amazing performance of Elvis' is brought back to life in multi-layered 3D imagery. For the first time in over fifty years the viewer can join the audience and experience the 'magic of Elvis'.

Additional information:
Features the following songs and performances:

1. Love Me Tender (Ed Sullivan Show - 1956)
2. Don't Be Cruel (Ed Sullivan Show - 1956)
3. Peace In The Valley (Ed Sullivan Show - New York 1957)
4. Hound Dog (The Milton Berle Show - June 1956)
5. Witchcraft (Frank Sinatra Show - May 1960)
6. Heartbreak Hotel (CBS Studio - March 1956)
7. Love Me (Ed Sullivan Show - 1956)
8. Money Honey (CBS New York - 1956)
9. I Want You, I Need You, I Love You (Steve Allen Show - 1956)

Hannah Montana 3D

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OXYGENE 30TH ANNIVERSARY (CD & DVD, 3D VERSION)

O Jean Michel Jarre είναι μία από τις σημαντικότερες προσωπικότητες στην ιστορία της ηλεκτρονικής μουσικής. Το ντεμπούτο άλμπουμ του, OXYGENE, το οποίο κυκλοφόρησε πριν από 30 χρόνια, εξέπληξε τον κόσμο όχι μόνο με την avant -garde μουσική του αλλά και με το προκλητικό εξώφυλλό του. Με το OXYGENE η μοναδική μουσική του Jarre έφερε μία καινούργια πνοή καθαρού αέρα στην φαντασία του κοινού και αποτελεί ακόμα και σήμερα σημείο αναφοράς για την σύγχρονη μουσική ιστορία.

Το OXYGENE - Live in your living room είναι ο εορτασμός του Jean Michel Jarre για την 30η επέτειο του super-hit αλμπουμ του και κυκλοφορεί σε 3 format : CD album, CD +DVD και CD + 3D DVD. Το στερεοσκοπικό 3D video με surround ήχο δίνει την μοναδική εντύπωση στον θεατή ότι βρίσκεται δίπλα στον Jarre και τα όργανά του ενώ κάθεται στον καναπέ του σπιτιού του.

Πρόκειται για το πρώτο φιλμ γυρισμένο σε stereoscopic τεχνολογία και αποτελεί το επόμενο γιγαντιαίο βήμα στην οπτικοακουστική ψυχαγωγία.


θα δείτε το 3D dvd με γυαλιά Anaglyph Red/Cyan

My Bloody Valentine 3D

Πρέπει να φοράτε 3D Anaglyph γυαλιά red/cyan

Οι Kerr Smith, Jaime King και Jensen Ackles πρωταγωνιστούν στην ταινία του Patrick Lussier, "My Bloody Valentine".

Την ημέρα του Αγίου Βαλεντίνου πέντε ανθρακωρύχοι αφήνουν έναν ετοιμοθάνατο συνάδελφο τους στον πάτο ενός μεταλλείου. Την ίδια νύχτα και οι πέντε πέφτουν θύματα δολοφονίας. Ακριβώς δέκα χρόνια αργότερα όταν διαπράττονται φόνοι με τον ίδιο ακριβώς τρόπο αποκαλύπτεται ότι ο δολοφόνος είναι το πιο απίθανο πρόσωπο.

Σκηνοθεσία: Patrick Lussier
Παίζουν: Kerr Smith, Jaime King, Jensen Ackles, Betsy Rue, Edi Gathegi, Tom Atkins

"Ταξίδι στο φεγγάρι" - Fly me to the moon (3D)

μπορείτε να κατεβάσετε την ταινία με εξαιρετικό χαμηλό κόστος (1.50 Euro) από την ιστοσελίδα orasisx. Πληρωμή μέσω SMS.
_________________________________________________
Ο σκηνοθέτης Μπεν Στάσεν, ο οποίος ειδικεύεται σε τρισδιάστατα θεάματα, όπως τα “Misadventures in 3D” και “Wild Safari 3D”, παρουσιάζει την πρώτη ταινία κινουμένων σχεδίων μεγάλου μήκους, που έχει σχεδιαστεί εξ ολοκλήρου με τεχνολογία 3-D.

Στις 16 Ιουλίου του 1969, το διαστημικό πρόγραμμα της NASA πραγματοποιούσε την πρώτη προσγείωση ανθρώπου στην επιφάνεια της Σελήνης.

Οι αστροναύτες Νιλ Άρμστρονγκ, "Μπαζ" Άλντριν και Μάικλ Κόλινς ήταν οι ήρωες της ιστορικής αυτής αποστολής.

Αυτό που δεν έγινε ποτέ γνωστό όμως, είναι πως στο ίδιο διαστημόπλοιο κατάφεραν να μπουν κρυφά τρεις θαρραλέες μύγες, που άλλαξαν τη ροή της ιστορίας για πάντα.

Μικροί και μεγάλοι θα απολαύσουν ένα εντυπωσιακό τρισδιάστατο ταξίδι στο διάστημα και θα επιστρέψουν στη γη μετά από πολύ γέλιο.

Σκηνοθεσία: ΜΠΕΝ ΣΤΑΣΕΝ
Σενάριο: ΝΤΟΜΟΝΙΚ ΠΑΡΙΣ
Ηθοποιοί: ΤΙΣ ΦΩΝΕΣ ΤΟΥΣ ΔΑΝΕΙΖΟΥΝ ΟΙ: , ΝΕΣΤΟΡΑΣ ΚΟΨΙΔΑΣ , ΔΗΜΗΤΡΗΣ ΜΕΝΟΥΝΟΣ , ΗΛΙΑΣ ΖΕΡΒΟΣ , ΒΟΥΛΑ ΚΩΣΤΑ
Διάρκεια: 85 λεπτά
Χρονολογία παραγωγής: 2008
Είδος ταινίας: ΚΙΝΟΥΜΕΝΑ ΣΧΕΔΙΑ
Χώρα παραγωγής: ΒΕΛΓΙΟ

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Πρέπει να φοράτε 3D Anaglyph γυαλιά red-blue/cyan για να δείτε τις φωτογραφίες



















FLY ME TO THE MOON – 3D
3D Cinema: An evolution or a revolution?
Interview with film director, Ben Stassen

You have been making 3D films for special venues for over 10 years. nWave Pictures, the company you co-founded has been a leading supplier of Imax 3D films and 3D/4D special venue films, why venture into feature film production?


I first became acquainted with computer animation in 1990. From the start, I was fascinated by the long term potential of this new production tool. A computer graphic workstation is a mini Hollywood studio on a desktop. You can create an entire movie with it, and now with high speed internet you can even distribute it worldwide using the same computer.

From the start, I wanted to build nWave Pictures as a mini studio using the CGI workstation as its foundation. I was not interested in work for hire assignments. I wanted to create our own content and distribute it worldwide ourselves. In the early 1990s, we saw the first feature films being released with a lot of CG effects and digital components. At that time we decided to keep our feet on the ground and stayed away from feature film productions. Instead, we focused on a few niche markets such as ride films, Imax films and 3D/4D films for theme parks and started to finance, develop and produce such films and release them worldwide on our own. We quickly established ourselves as the leading independent supplier of specialty films worldwide. Most of the initial productions were in 2D, but in 1997 we decided that everything we produced going forward would be in 3D.

As far as making the transition to 3D feature film production is concerned, the turning point came with the release of Spy Kids III in 3D. Although the film was released in the “sub-standard” anaglyph format (red/blue), it was a huge hit worldwide. Hollywood started to take notice. But the real milestone, in my opinion, was the release of Polar Express in Imax 3D. The film grossed over $45 million in just 67 Imax 3D theaters in less than 2 months. That’s a staggering $700,000 per screen average. The feature film industry could no longer ignore the appeal of 3D.

At ShoWest in 2005, a few pioneering Hollywood filmmakers like James Cameron, Robert Zemeckis, Robert Rodriguez and George Lucas, who had already tried their hand at 3D filmmaking, came and forcefully predicted a very bright future for 3D cinema.

At the same time, the roll out of digital cinema started to take place; a prerequisite for the build-up of a 3D theater network. Several hardware companies got involved in the development of quality digital 3D systems. It is interesting to note that the head of RealD, the leading 3D system supplier, is none other than Michael Lewis. Having produced T-Rex, one of the most successful Imax 3D films of all time, Michael knew better than anyone the true grassroots appeal of 3D cinema. James Cameron and Robert Zemeckis have both also been involved in Imax 3D productions.

Seeing all the forces at play in the feature film business, we decided it was time to go for it and make the move from specialty films to 3D feature production. Thanks to the solid revenue stream generated by our 3D film library, and a little help from the new tax shelter legislation in Belgium, we were ready to tackle the challenge.



How did you select Fly Me to the Moon as a first 3D feature?


When we decided to make the move from the specialty film to feature film production, we searched for a story that could be drastically enhanced by the 3D. We wanted to make a film designed and created in 3D for 3D release only. Since we were financing the film ourselves, we had to stay within a certain budget range. But most importantly we wanted to create a truly unique 3D experience. The search for the right script took almost 2 years.

When I read Domonic Paris’ script “Fly Me to the Moon”, I knew it was perfect for us in terms of both content and form. It is the story of three tweenage flies hitching a ride on the Apollo 11 mission to the Moon. Space lends itself really well to 3D (lots of floating objects) and I wanted to create a film with stylized characters evolving in photo realistic environments. I felt we could achieve a nice balance between fantasy and reality with Domonic’s script.



Is 3D cinema here to stay or will it be another passing fad like in the early 50s and later 70s?

3D cinema has been around since the early days of moving pictures, but it is true that until now the enthusiasm for 3D film has never been more than a passing fad. We can pinpoint several issues that led to the decline of 3D cinema in the past such as the poor quality of the projection systems or the fact that the majority of the 3D films were low budget B-movies.

The advent of digital projection technologies is taking care of the technical issues of old; and to judge from the line up of 3D releases over the next couple of years, it looks like the quality of the films shown in 3D will be top notch.

Having said that, I strongly believe that the long term viability of 3D cinema will greatly depend on the feature film industry’s willingness to treat the 3rd dimension as a revolution, rather than a mere evolution. There have been several important evolutions in the history of cinema such as the transition from black and white to color. This type of change impacted the way movies were experienced by the public, but did not radically alter the way the movies were made. There has been only one major revolution in the past, namely the move from silent films to movies with sound. This not only affected the movie experience itself, it revolutionized the way films were made, from the writing to the casting, the directing and the editing.

The long-term appeal of 3D cinema requires that we drastically change the way films are made. The 3rd dimension brings about a new language of cinema. The writing, pacing, framing and lighting must be radically altered to achieve 3D immersion. Without the full immersion, I believe the audience will tire very quickly of the 3D.

Right now we are in a transitional phase. For obvious financial reasons, today very few films can be released in 3D only. Since the films currently released in 3D are not designed solely as 3D experiences, the 3D brings a nice added layer to the experience but it is not essential to the enjoyment of the film.

From our experience in producing and exhibiting 3D films in special venues, it seems very clear that the real appeal of 3D cinema over the long run does not come from the gimmicky use of in your face effects, which are fun, but rather from the sensation of total immersion, whereby the audience no longer watches a film through a window (the screen) but is transported into the filmic space itself. We don’t bring the story to the viewer; we take the viewer into the story. You want the audience to forget there is even a frame around the picture. You want them to be part of the scene.



How difficult is it to achieve 3D immersion?

It requires a totally different approach to filmmaking; it’s a new grammar of cinema. There is a lot of trial and error involved as we all need to learn how to speak this new language. We have not even scratched the surface of what is possible. But that’s the fun part. When it works though, it’s magic! Making 3D films for special venues has been a great learning process. When you make a 3D film for a theme park for instance, it’s all about the immersion: more often then not you don’t even try to tell a story and if there is one, it is very simple.

With “Fly Me to the Moon” on the other hand, it is all about the story and telling this story in a new and original way. You use the 3D immersion as way to position the viewers and take them along on a space adventure of the third kind…

Having flies as the main characters help a lot as it enables me to explore this approach of “windowless” filmmaking in ways I was never able to before. The characters have very little direct interaction with their environment. They fly around a lot, so does the camera. By doing so, I want the viewers to become the flies on the wall.



So this time around, 3D cinema should have a future?

I certainly hope so, we have bet the house on it! But there are still challenges ahead. Three conditions have to be met for 3D to have long-term appeal.

The projection quality has to be top notch. The advent of digital projection hardware is clearly the answer. The one remaining issue is the image brightness. Less than 50% of the light leaving the projector lamp reaches our eyes due to the filtering process. We need more powerful digital projection systems to be able to show our 3D films on the biggest screens possible. The technology is improving constantly;
I don’t see this as a real problem.

Content is key. We need to see a steady supply of films designed and created in 3D for 3D only release. Every major studio seems to have 3D projects in the pipeline, so I don’t think this will be an issue.

The biggest challenge though comes from the exhibition side of the business. Exhibitors are fueling the 3D revolution. A lot of the major players worldwide have committed substantial capital expenditure to be able to play 3D films in their multiplexes. They are doing this right now, even though the supply of 3D films is still relatively limited. A lot of exhibitors really believe in 3D, which is great. However, the long term viability of the 3D out-of-home film exhibition will depend on our ability as filmmakers and exhibitors to deliver truly immersive 3D experiences. The design of the theater is the single most important factor in achieving full immersion. You need a wall to wall and floor to ceiling screen. The theater must have stadium seating with a steep rake; you want the viewer as close to the screen as possible, where everyone is seated in front of the screen. You don’t want anybody on the side or looking up at the screen.

A lot of the newer stadium seating theaters are already adequate for a good 3D experience, but in the long run I hope exhibitors will build specialty 3D venues with taller screens as the wide aspect ratio is not optimal for 3D. We don’t necessarily need giant screens to enjoy good 3D, but the right all around proportions and theater design are key.

3d dvd & blu-ray list

Final Destination 4 - 3d dvd & 3d Blu-ray (red/cyan glasses)
(2009)
Sea Monsters - 3d dvd & 3d Blu-ray (red/cyan glasses)
(2009)
Monsters vs Aliens - bonus disc B.O.B’s Big Break - 3d dvd & 3d Blu-ray (magenta/green glasses)
(2009)
A Christmas Carol 3D - 3d dvd
(2009)
Hannah Montana 3D - 3d dvd & 3d Blu-ray
(2009)
Jonas Brothers 3D - 3D Blu-Ray (red/cyan glasses)
(2009)
Coraline 3d - 3d dvd & 3d Blu-ray (magenta/green glasses)
(2009)
Elvis 3D
(2008)
My Bloody Valentine 3D - 3d dvd & 3d Blu-ray (magenta/green glasses)
(2008)
Fly Me to the Moon - 3d dvd (red/cyan glasses)
(2008)
Friday the 13th Part 3 3D - 3d dvd & 3d Blu-ray (red/cyan glasses)
(1982)
The Polar Express Presented in 3-D - 3d dvd & 3d Blu-ray (red/cyan glasses)
(2008)
JOURNEY TO THE CENTER OF THE EARTH 2D/3D - Ταξίδι στο κέντρο της γης - 3d dvd & 3d Blu-ray (Green/Magenta glasses)
(2008)
SHREK 3D - Σρεκ 3D - 3d dvd (red/cyan glasses)
(2008)
Hannah Montana & Miley Cyrus: Best of Both Worlds Concert - 3d dvd & 3d Blu-ray
(2008)
Family Guy - Blue Harvest Special Edition - 3d dvd
(2008)
Oxygene - 30th Anniversary - Live in your Living Room (CD & 3D DVD) (red/cyan glasses)
(2007)
Scar - 3d dvd (red/cyan glasses)
(2007)
Night of the Living Dead 3-D - Η Νύχτα Των Ζωντανών Νεκρών - 3D - 3d dvd
(2006)
Barbie and the Magic of Pegasus 3D - 3d dvd (red/blue-green glasses)
(2005)
The Adventures of Sharkboy and Lavagirl in 3D - Απίθανες Περιπέτειες του Sharkboy και της Lavagirl - 3d dvd (red/blue-green glasses)
(2005)
Harold Lloyd Comedy Collection - 3d dvd
(2005)
3D Zoo Animals - 3d dvd
(2005)
Shrek 4D - 3d dvd (red/cyan glasses)
(2003)
Spy Kids 3D - Game Over - 3d dvd & 3d Blu-ray (red/blue-green glasses)
(2003)
Bugs! in 3D (aka: A Rainforest Adventure: Bugs!)- 3d dvd & Sensio 3d dvd
(2003)
Festival of 3-D Movie Trailers
(2003)
Little Magician (aka: Small Magician) (aka: Magic Magic) (aka: Chota Jadugar)- 3d dvd
(2003)
Ghosts of the Abyss - 3d dvd
(2003)
Santa vs. the Snowman - 3d dvd & Sensio 3d dvd
(2002)
Haunted Castle - 3d dvd & Sensio 3d dvd
(2001)
Siegfried & Roy: The Magic Box - 3d dvd
(1999)
Trinity and Beyond: The Atomic Bomb Movie
(1995)
Freddy's Dead - The Final Nightmare (aka Nightmare on Elm Street Part 6)
(1991)